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I have to start with Crooklyn, because this is where I was first introduced to the legendary Delroy Lindo. He plays Woody: jazz purist, patriarch, and the emotional backbone of the Carmichael family. Woody is the song humming beneath every scene, which is saying a lot amid the chaos of raising five kids in a 1970s Brooklyn brownstone.
Buuuuut let’s keep it 100. One thing about Woody? He knows how to bounce a check. I’m just saying. While Carolyn (Alfre Woodard) can’t even take a piss without six people hanging off her tits, Woody is the one who used to pay for everyone to go to Bloomingdale’s and Lord & Taylor to get what they wanted, when they wanted. (Yes, I’ve seen this movie a thousand times, and no, that’s not an exaggeration.)
The way Delroy Lindo builds toward Woody’s breaking point feels true to a musician’s spirit, and in the brawl that erupts after Carolyn storms into Troy’s room to cut off the boys’ Knicks game, we see exactly what happens when a dream is deferred.
Woody is carrying Carolyn out of Troy’s room. Troy is in the bathroom, stuffing her shirt with balled-up toilet paper. Joseph is pounding on the bathroom door. Nate is pushing Woody. Wendell is tackling him. Troy is screaming. Carolyn is being dragged. Chile, it’s a mess, but when Woody finally settles on that stairway, everything collapses inward. The walls close in. The noise drops. And it still comes back to his old-school, refined dignity as he says, "What I want… is some respect… for my work… in this house…" The cadence is musical—measured, aching—a cry for help shaped like a melody.
Woody is clinging to an idea of himself as a "pure musician, playing pure music" in a world already moving toward rock and disco, progress and paychecks. His stubbornness doesn’t read as ego; it reads as grief. He knows he’s failing his family, and it shows in his posture, but he can’t reconcile that failure with the dignity he’s built his entire identity around.
As a child, I adored Woody. He’s the parent who’s not going to make you eat your peas (ice cream and sand cake have entered the chat). But as an adult, I look at him like, sirrrrrr, you gotta help pay the bills. And yet, Delroy Lindo’s performance is so organic that there’s no way to hate or even judge Woody. He infuses him with a deep, vibrating love for his children, one that makes you root for him even when you know how the movie ends and how he will eventually have to step up to the plate.
Shout-out to Joie Lee, Cinqué Lee, and Spike Lee for writing such a layered character, but it’s Delroy Lindo who makes Woody more than his flaws. He turns him into a man caught between who he was raised to be and who the world now demands he become. And Crooklyn understands something devastatingly true: sometimes the hardest thing a man can do isn’t providing. It’s letting go of the dream he thought would save him.
1 month ago
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English (US) ·